The most popular movie now in theaters (for one weekend, at least), Pixar’s “WALL-E,” presents its title robot as proof that rust never sleeps. WALL-E is determined, resourceful and even lovable, but he’s (it’s?) an obsolete bucket o’ scavenged bolts, rattling through an empty post-eco-disaster metropolis on unreliable tank treads while scanning the junk-heap horizon with wobbly binocular eyes.
But even a malfunctioning WALL-E is a techno-wonder compared to the 1954 state-of-the-art “synthetic sentient being” that is the star of “Tobor the Great,” a family-friendly, 77-minute sci-fi programmer that recently made its DVD debut courtesy of Lionsgate Home Entertainment.
Basically a Cold War-inspired “Timmy and Lassie” episode with a robot instead of a collie, “Tobor the Great” stars Billy Chapin as 11-year-old Brian Robinson, nicknamed “Gadge” because of his precocious affinity for scientific gadgetry. (”Gimmickses, always gimmickses,” complains Franz Roehn as Karl, the Robinson household’s thick-accented but faithful Old World retainer of Gadge’s.)

In the confused tense of the movie’s opening narration, “Tobor” tells “a story that might have taken place the day after tomorrow.” Prof. Arnold Nordstrom (Taylor Holmes), Gadge’s “gramps,” is the inventor of Tobor, “an electronic simulacrum of a man” invented to replace human pilots during the dangerous test flights necessary before men can be sent into space. “Meet Tobor — a childish joke of mine, robot spelled backwards,” Nordstrom explains when he introduces this mechanical man to a pack of journalists (plus, one foreign and apparently Communist spy, whose presence is heralded on the soundtrack by what sounds like a quote from the Russian folks song, ”The Volga Boatmen.”) In a twist on the usual robot premise, Tobor is not powered only by gears and wires: He’s controlled in part by ESP, Nordstrom says.
Like many early screen robots, Tobor is a tall, ungainly but retro-cool-looking bipedal caricature of a man, with a stylized “face” and a gleaming body adorned with various tubes, wires and doohickeys (call this school of design Amazing Stories rococo). It’s love at first sight for Gadge, who lives in a house without a dog or a daddy (his father was killed in the Korean War). “Gee, Tobor, you’re beautiful!” marvels Gadge, who also uses such expletives as “gee whillikers” and “darn” (as in “You darn old Tobor!,” in response to the robot’s brief destructive rampage).

If Tobor becomes, essentially, Gadge’s pet, Nordstrom’s handsome colleague, Dr. Ralph Harrison (Charles Drake), is presented as a potential replacement daddy, a job he begins auditioning for as soon as he meets Gadge’s pretty mom (Karin Booth). No doubt mom thinks it’s nice having a man around the house, but a robot is even more useful, especially when Gadge is kidnaped by spies (who threaten him with a blowtorch!), requiring Tobor to race to the rescue. “Attaboy, Tobor! That’s using your coordinator!” encourages Gadge.
Produced by Republic Pictures (which also gave the world the boxy robots of 1940’s “Mysterious Doctor Satan” and other serials), “Tobor the Great” was scripted by mystery novelist and “Charlie Chan” and “Mr. Moto” screenwriter Philip MacDonald and directed by the tireless Lee “Roll ‘Em” Sholem, who — as his nickname suggests — was one of Hollywood’s more fast-working and efficient filmmakers, contributing entries to the Tarzan, Jungle Jim and Ma and Pa Kettle series. Child star Chapin, meanwhile, earned a place in film history the year after “Tobor” when he starred as one of the children being pursued by evil preacher Robert Mitchum in “Night of the Hunter.”

Unlike Tobor himself, Lionsgate’s “Tobor the Great” DVD is a no-frills product. The image is adequate, but obviously wasn’t remastered for this disc; in fact, it appears to have been lifted from an earlier VHS release of the film. Of course, I want even the likes of “Tobor” to receive Criterion Collection-worthy treatment, but, honestly, the simple, nostalgic fun offered by “Tobor” isn’t hampered much by this simple presentation.
The disc contains no worthwhile bonus features, but a nice fold-out poster of the DVD’s cover art – reproduced from a handsome vintage poster — is included as an insert in the snapcase. Whether a kid today would want to add Tobor to the WALL-E and R2-D2 posters on his bedroom wall, I can’t say; but I know plenty of adults who’d be happy to bid for an original version of this poster on eBay. It’s a great image, and utterly misleading: “Man-Made Monster with Every Human Emotion” says the ad slogan, over an illustration of Tobor carrying off a scantily clad, buxom blonde — in other words, Tobor appears to be violating not only all three of Isaac Asimov’s Laws of Robotics but possibly the Mann Act. Any adult males lured to “Tobor” on the basis of this lurid promise were no doubt disappointed to find themselves sitting through a fantasy with more appeal to readers of Boy’s Life than Argosy.
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